Canon in 2. modi à 3: Benedictus - 3vv
Résumé
| Nom | Agostini, Paolo (1583-1629) |
|---|---|
| Titre uniforme | Canon in 2. modi à 3: Benedictus |
| Distribution | 3vv |
| Titre diplomatique | Canon in 2. modi à 3 |
| No. RISM | 1000002317 |
Canonic Technique(s)
| Type | invertible canon: 3 ex 1 |
|---|---|
| Imitation interval | other |
| Temporal offset | 1, 2 breve(s) in C |
| Type | invertible canon: 3 ex 1 |
| Imitation interval | 8ve and 4th above |
| Temporal offset | 1, 2 breve(s) in C |
Contenu
| Numéro de l'œuvre | 2.18.1 |
|---|---|
| Rubrique | Basso in subdiapente, vel Ca[n]to in Diapaso[n] & Al[to] in Diatessaron osser. di Contrap[unto] all 12. |
| Note générale | Solution 1: Tenor - Bass - Cantus L5/U4. Solution 2: Tenor - Bass - Cantus U8/U4. Translation of rubric: Bass at the fifth below or the Cantus at the octave above and the Alto at the fourth [above], observing [invertible] counterpoint at the 12th. Letter names indicates entries of comites. Presa signs indicates endings of comites. |
| Incipit du texte | Benedictus qui venit |
| PAE Code | |
Description du matériel
| Type | |
|---|---|
| Copie ou impressum | 1627 |
| Parties existantes | Vocal parts |
| Parties manquantes | p. 23 |
Information supplémentaire
| Remarque générale | Concordance: Benedictus of the Missa Quatuor vocibus, Septimi Toni, ad canones in Agostini's Variorum Missarum Liber Posthumus (Rome, 1630). Two three-part versions arise from the given dux through the application of invertible counterpoint at the 12th (the Bass in the first version moves up a 12th to become the Cantus in the second version). |
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Termes
| Sujet | Canon |
|---|---|
| Mass Section |
Titres connexes
| Source principale | 1000002257 Agostini, Paolo: Libro Quarto delle Messa in Spartitura - 5vv with basso continuo |
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