=001  1000002317
=031  ##$a2$b18$c1$eBasso in subdiapente, vel Ca[n]to in Diapaso[n] & Al[to] in Diatessaron osser. di Contrap[unto] all 12. $gC-3$oc$p1DE,(B)'C2-(E)4,AGAB'CDEC1D2,A$qSolution 1: Tenor - Bass - Cantus L5/U4. Solution 2: Tenor - Bass - Cantus U8/U4. Translation of rubric: Bass at the fifth below or the Cantus at the octave above and the Alto at the fourth [above], observing [invertible] counterpoint at the 12th. Letter names indicates entries of comites. Presa signs indicates endings of comites.$tBenedictus qui venit
=040  ##$aAuArU$beng
=100  1#$aAgostini, Paolo$d1583-1629$02494
=240  10$aCanon in 2. modi à 3: Benedictus $m3vv$0685
=245  10$aCanon in 2. modi à 3
=260  ##$c1627$801
=500  ##$aConcordance: Benedictus of the Missa Quatuor vocibus, Septimi Toni, ad canones in Agostini's Variorum Missarum Liber Posthumus (Rome, 1630). Two three-part versions arise from the given dux through the application of invertible counterpoint at the 12th (the Bass in the first version moves up a 12th to become the Cantus in the second version).
=590  ##$aVocal parts$bp. 23$801
=593  ##$aPrint$801
=650  07$aCanon$09
=650  07$aMass Section$012
=695  ##$ainvertible canon$b1$c3$dex$eother$g1, 2$hbreve(s)$oC$02049
=695  ##$ainvertible canon$b1$c3$dex$e8ve and 4th$fabove$g1, 2$hbreve(s)$oC$02048
=773  18$w1000002257