=001  1000002309
=031  ##$a2$b10$c1$enella Messa à 4 ad Canons, con osseruatione di contrappunto alla 10.$gC-4$oc$p1,(G)(A)(G)2(E)E1{FG}1C$qTranslation of rubric: with the observation of [invertible] counterpoint at the 10th. Solution 1: Bassus - Tenor 1 - Altus. Solution 2: Bassus - Tenor 2 - Altus. Solution 3: Bassus - Tenor 2 with free voice Cantus.$tBenedictus qui venit
=040  ##$aAuArU$beng
=100  1#$aAgostini, Paolo$d1583-1629$02494
=240  10$aCanon à 3 in 3 modi$m5vv$0677
=245  10$aCanon à 3. in 3. Modi
=260  ##$c1627$801
=500  ##$aLetters above the staff indicate entries of comites. Presa signs above the staff indicate where the comites conclude. Different combinations of the three voices for each of the three solutions. Reference to invertible counterpoint at the 10th in the rubric indicates parallel 10ths between Bass and Cantus. Concordance: Benedictus of the Missa Ad canons Quatuor vicious in Variorum Missarum Liber Posthumus (Rome, 1630).
=520  ##$aFive voices: Bass - Tenor 1 - Tenor 2 - Altus - Cantus
=590  ##$aVocal parts$bp. 13$801
=593  ##$aPrint$801
=650  07$aCanon$09
=650  07$aMass Section$012
=695  ##$aparallel canon$b1$c3$dex$e8ve and 4th$fabove$g1, 3$hsemibreve(s)$oc$02055
=695  ##$aparallel canon$b1$c3$dex$e8ve and 5th$fabove$g2, 3$hsemibreve(s)$oc$02056
=695  ##$ainterval canon$b1$c2$dex$e5th$fabove$g2$hsemibreve(s)$oc$02061
=773  18$w1000002257