=001  1000002300
=031  ##$a2$b8$c1$efa ca[n]tera il Tenore, vna voce più alta, & una più bassa, & le alter parte non variano$gC-4$nbB$oc$p1,G2(F)E1(D)2(E)E1FG2-$qBoth canons Bassus-Tenor-Cantus. Translation of the rubric: the Tenor can sing a step higher or lower, and the other parts are not changed. Two solutions based on different temporal offsets for the tenor (comes 1). Other voices remain unchanged in both versions. Letters instead of presa signs above the staff indicate entries of comites.$tBenedictus qui venit
=040  ##$aAuArU$beng
=100  1#$aAgostini, Paolo$d1583-1629$02494
=240  10$aCanon à 3 in variati modi$m3vv$0671
=245  10$aCano[n] à 3 in variati modi
=260  ##$c1627$801
=500  ##$aConcordance: Benedictus from Missa Pro feriis, ad canones from Partitvra delle messe Decima, & Duodecima (Rome, 1627). Partial transcriptions and discussion in Collins 2018a, pp. 133-137.
=590  ##$aVocal parts$bp. 12$801
=593  ##$aPrint$801
=599  ##$aTranscriptions of all versions (Finale files) are in the DP18 shared Dropbox folder.
=650  07$aCanon$09
=650  07$aMass Section$012
=695  ##$aparallel canon$b1$c3$dex$e8ve and 4th$fabove$g1, 3$hsemibreve(s)$oc$02055
=695  ##$aparallel canon$b1$c3$dex$e8ve and 5th$fabove$g2, 3$hsemibreve(s)$oc$02056
=773  18$w1000002257