=001  1000002293
=031  ##$a2$b1$c1$ePrimo il Soprano ca[n]tera in Diapaso[n], ouero in Subdiape[n]te & il Co[n]tralto in Diatessaro[n]. $gC-3$oc$p1.D2C1,(B)2AA1(G)'1D2-/$qLetter names "C", "B" and "A" above the staff indicate entries of comites. Two three-part solutions are derived from the notated dux. The cantus and basses have the same material transposed at the twelfth (up or down). (1) U8/U4 (Tenor-Cantus-Altus); (2) L5/U4 (Tenor-Bassus-Altus)$tBenedictus qui venit
=040  ##$aAuArU$beng
=100  1#$aAgostini, Paolo$d1583-1629$02494
=240  10$aCanon à 3 in 2. modi$m3vv$0661
=245  10$aCano[n] à 3 in 2. modi
=260  ##$c1627$801
=500  ##$aConcordance: Benedictus from Missa Pro Vigiliis, ac feriis à 4 in Spartitura delle Messe del Primo Libro (Rome, 1627).
=590  ##$aVocal parts$bp. 4$801
=593  ##$aPrint$801
=650  07$aCanon$09
=650  07$aMass Section$012
=695  ##$ainvertible canon$b1$c3$dex$e8ve and 4th$fabove$g1, 2$hbreve(s)$oC$02048
=695  ##$ainvertible canon$b1$c3$dex$eother$g1, 2$hbreve(s)$oC$02049
=773  18$w1000002257