Semper Laus Deo: post Et in spiritum - 3vv
Summary
| Name | Agostini, Paolo (1583-1629) |
|---|---|
| Standardized title | Semper Laus Deo: post Et in spiritum |
| Scoring summary | 3vv |
| Title on source | Semper Laus Deo |
| RISM ID No. | 1000002265 |
Canonic Technique(s)
| Type | interval canon: 2 ex 1 |
|---|---|
| Imitation interval | 7th Above |
| Temporal offset | 1 breve(s) in C |
| Type | canon per tonos: 2 ex 1 |
| Imitation interval | 7th above |
| Temporal offset | 1 breve(s) in |
Content
| Work number | 1.6.1 |
|---|---|
| Rubric | à3 |
| General note | Canonic voices: comprise last five notes in the Bassus of the preceding three-part Crucifixus section. Free part has Kyrie 2 motive. |
| Text incipit | Semper laus Deo |
| PAE Code | |
Material description
| Type | |
|---|---|
| Publishing, Printing and Production Information | 1627 |
| Parts held | Vocal parts |
| Extent (parts) | p. 17 |
Further information
| General note | (i) Score format. (ii) I-Bc V39 has handwritten "Cala un Tuono" indicating a canon per tonos with repetitions at a second below. (iii) Dux has two clefs: G2 and C3. Dux reads C3, comes has G2 (even though comes is resolved fully on a separate staff with G2). (iv) Dux line has presa .S. which is unnecessary because comes is resolved. (v). Dux minim rest and minim at opening is changed to semibreve opening in comes. (vi). Based on the number of notes and a comparison with the other voices, the text in the non-canonic voice only should probably read "Semper Laus Deo". |
|---|---|
| Description summary | Two-part Interval Canon and canon per tonos (down a second) with a third non-canonic voice. Score format. |
Index terms
| Subject heading | Canon |
|---|
Related Titles
| Parent record | 1000002253 Agostini, Paolo: Spartitura del secondo libro delle messe - 4vv with basso continuo |
|---|