=001  1000002262
=031  ##$a1$b3$c1$ei. Cantus has "cresce" under end of staff. ii. Altus has "vel in diapason." under opening three notes. $gG-2$p1G2A''C+/4C8'BA2B1''C://$qRepeat signs in each canon at end of Cantus 1 and Bassus indicate canon per tonos when Cantus "cresc" is taken into account. Kyrie 2 Motive in Tenor-Bassus.
=031  ##$a1$b3$c2$eiii. Bassus has "vn tono cresce" near end of its staff.$gC-4$p2-2C1,A/1(G)C://$qMotive in Cantus 1-Altus is last four notes from Bassus of Gloria.$tLaus Deo
=040  ##$aAuArU$beng
=100  1#$aAgostini, Paolo$d1583-1629$02494
=240  10$aCanon à 4. della Gloria$m4vv$0639
=245  10$aCanon à 4. della Gloria
=260  ##$c1627$801
=500  ##$aBoth this and the following canon, Alto modo Canon à 6 are based on the same materials: The Kyrie 2 motive, which is also stated at the end of the setting of the Gloria (in the two upper voices) that immediately precedes this canon. A counter-motive comprising the last 4 notes of the Bass from the end of the preceding Gloria setting. $801
=520  ##$aFour-part Double Canon and Canon per Tonos (up a second). In score format.
=590  ##$aVocal parts$bp. 9$801
=593  ##$aPrint$801
=650  07$aCanon$09
=695  ##$acanon per tonos$b1$c2$dex$e5th$fabove$g1$hbreve(s)$02029
=695  ##$acanon per tonos$b1$c2$dex$e4th$fbelow$g1$hbreve(s)$02030
=695  ##$adouble canon$b2$c4$dex$e4th$fAbove$g1$hbreve(s)$oC$0181
=773  18$w1000002253